2.5 Stars. I’ve always stood by the idea that a good story will make up for any possible flaws in its construction. That the story is more important than the writing, and I still believe that, but this story in particular shows just how much poor writing skills can diminish a story’s potential. The story line of “A Shade of Vampire” was interesting enough to keep me reading until the end, but the writing left me seriously wanting.
The writing is way more telling than showing. Characters are described as “handsome” and “confident” instead of having those traits shown to us. At one point Forrest spends an entire paragraph vaguely describing Lucas; at another Sophia was “suddenly overcome by the sensations” surrounding her, but we’re not shown what sensations. Also, there were more than a few places where entire scenes were skipped and told to the reader, which I would have liked to have seen.
The writing was extremely wordy. There’s also some awkward phrasing like “I reasoned to myself” that irked me. And I feel like the author didn’t do enough research. In the beginning of the book Sophia says her mother was sent to a lunatic asylum, which (as a Psych major) made me want to pull my hair out since they don’t exist anymore. When people are mentally ill they are taken care of in hospitals. There are psychiatric wards, but there are not “lunatic asylums”.
On the plus side I did really like the idea of Derek, this ancient vampire, being the “sleeping beauty” of the story. It was a fun twist that he was under a sleeping curse, instead of some damsel in distress. The dialogue didn’t always match the characters. Derek often didn’t sound as old as he was, and occasionally Ben or even Sophia would sound too formal. But, I did like Sophia. She was a fighter, and despite a few Stockholm syndrome-y moments I was glad that she didn't instantly fall in love with Derek, even though he was instantly drawn to her. I think she understood him and could see that there was more to him than just being a monster. Definitely a “Beauty and the Beast” kind of feel, which I enjoyed.
The concept of vampires living on an island that’s constantly dark was interesting and new. I feel the author gave some thought about this society and how it would run. Overall, it was an entertaining enough read, but I won’t be adding it to my favorites any time soon.
I got this on sale for 99cents, and for that it was a fun quick read. But, it ends with a bit of a cliffhanger and the following books are $3.99, which I don’t feel they’re worth.
"All I could see was bright blinding
white. I tried to glance back at my bedroom window, but couldn’t move. My eyes
were frozen open and watering as I stared into the abyss. God, this can’t be real."
Payton Carlson’s life
is perfect, until the night she’s abducted by aliens. Now she’s plagued
by pieces of memories from a night that feels as hazy as a dream, and
that’s not the only strange thing that’s been happening. When Payton’s
neighbor, Logan Reed, who spends every night sitting on his roof staring
at the stars, starts to pay extra attention to her, Payton starts to
wonder if he knows more about the night she can’t remember than she
does. Suddenly finding a date to the Homecoming dance and cheering at
the football games aren’t as important as they used to be - especially
when the aliens return for a second time.
Plot twists are a great way to move a story forward and keep
things interesting. Whether you watch The Vampire Diaries or not, I hope you’ll
find this post helpful in understanding what makes an effective plot twist.
An effective plot
twist is about more than just throwing in some random element to shake things
The best plot twists also attend to a particular issue within the
story. TVD’s plot twists do just that. The writers at The Vampire Diaries are the kings at
throwing the unexpected at us. This is part of what makes the show upbeat, fast
paced, and so damn addicting. But, their plot twists also mean something.
Below I’m going to analyze some of the plot twists we’ve seen in the show, up
to the episode“The Devil Inside” (which
has a huge plot twist) and explain why they were not only interesting because
they were unexpected, but necessary for the progression of the plot and
development of the characters.
Episode 1.14 “Fool Me
Plot Twist: Katherine isn’t in the tomb – Much of Season 1’s plot revolves around Damon wanting to free his long lost love,
Katherine, from a tomb in Mystic Falls, where she's been imprisoned since the 1800's. This is the reason Damon is in Mystic
Falls to begin with, and he does a lot of destruction while he’s there. When
it’s discovered that Katherine was NEVER in the tomb it not only made the
viewers say “What?!” but Damon as well.
Why it Needed to Happen: The Stefan/Elena/Damon love
triangle that the show is known for never could have existed if Katherine had been in that tomb. This is
huge turning point for Damon’s character development. He’s been pining after Katherine for
hundreds of years, trying to figure out how he was going to save her. To realize
that she not only didn’t need saving, but that she never really loved him,
breaks him. It shatters his entire world, and he has to completely redefine
himself. And, if it had never happened, he never would have been able to open
himself up for Elena.
Episode 2.2 “Brave
Plot Twist: Katherine turns Caroline into a vampire –
Most viewers probably thought things were over for Elena's close friend, Caroline, when this happened.
After all, it didn’t turn out so well for Vicki. This put viewers on edge for
this entire episode as they waited for Caroline to kill someone, or for someone
to kill her.
Why it Needed to Happen: Without this plot twist
Caroline’s character was starting to feel flat. It’s not until after Caroline
becomes a vampire that she really figures out who she is. She learns a lot
about herself once she’s a vampire and she grows as a person. In many ways
Caroline is better as a vampire. This is an important plot twist because it
does a lot for Caroline’s character development.
Episode 3.22 “The
Plot Twist: Elena dies and becomes a vampire – Killing
off a character is a great plot twist, one that TVD takes advantage of in
nearly every episode. Killing off the main character has the ultimate shock
value, and since it was kept hidden that Elena had digested vampire blood until
the very end, viewers were left to think that she really died up until the very end.
Why it Needed to Happen: The love triangle depended
on this plot twist. This could have been some random thing TVD did to stir
things up, but it wasn’t, because they set it up right. There are a lot of
secrets that Damon has been keeping from Elena up to this point via compulsion. When she becomes
a vampire his compulsion goes away, and she starts to remember all of the things he's kept from her. This was necessary to move the
plot forward. Season 3 ended with Elena making a choice between the two brothers – Stephan, but she
didn’t have all the facts at the time. The show did a great job setting this
up, and it allows season 4 to essentially restart the love triangle without making
Elena feel wishy-washy in her decisions.
Episode 4.23 “Graduation”
Plot Twist: Katherine becomes human – Out of everyone who was after "the cure" Katherine was the last vampire viewers ever thought would get it. So, when Elena shoves it down her throat viewers were stunned and left to wonder just what this would mean for her in Season 5.
Why it Needed to Happen: Katherine becoming human made her relevant
again. She didn't really have a place in Mystic Falls or a need to stick around until this happened. It also allowed for her to grow as a character. Suddenly Katherine becomes
the weak human in need of protection. It flipped the scrip, making Katherine,
the villain of the show so far, the victim in constant need of saving. It’s this plot twist that allows viewers to understand her better
and see her as a person and not just evil. Without this plot twist Stephan
would never have been able to rekindle feelings for her, and the viewers wouldn’t
have been able to accept them. Viewers also wouldn’t have been able to feel bad
for her while she lies on her death bed. This also sets up another plot twist, because right as we start to feel bad for us, she reminds us just how selfish and undeserving of our love she is.
Episode 5.10 “Fifty
Shades of Grayson”
Plot Twist: Damon breaks up with Elena – What?! We
never thought Damon would ever break up with Elena. Not after pining after her
for two years (four and a half seasons). If anything viewers thought it would have been the other
Why it Needed to Happen: Damon was right. “I'm bad,
Elena. I'm bad for you,” he tells her, and he is. This is important because if
Damon has any chance of becoming a better person he needs to acknowledge this
about himself. And, if Damon had never broken it off with Elena he never would
have been able to say this in 5.12: “You are literally the best person I’ve
ever known. And for me to think I could change you gives me way too much credit
and you not nearly enough. You’re the best influence on me. I need you. You’re
the good and I need a little good in my life because without it there’s an
awful lot of darkness.”
Episode 5.12 “The
Plot Twist: Katherine takes over Elena’s body – Yes
TVD just knocked off their lead role! (But, hopefully not for good.) What makes
this truly horrible is that just when Elena and Damon have come to the decision
to forgive one another, Katherine steps in and screws it all up by pretending
to be Elena and ending things with Damon for good.
Why it Needed to Happen: My heart broke when
Katherine/Elena broke things off with Damon. But if Damon and Elena were to
ever make things work for the long haul this needed to happen. When Katherine
tells Damon that they can’t be together because she can’t be the only thing
that makes him a good person, she’s just trying to get rid of him as she’s not
really Elena. But, she’s right. Elena shouldn’t be the only thing that makes
Damon good. She shouldn’t have to worry that he’s going to go off the hinges
whenever they get in a fight. Damon needs to be more than a serial killer on a leash, he needs to actually change. What Katherine tells Damon is important because
it gives him the opportunity to be good for himself, and not just because it’s what Elena wants. (Now we’ll just
have to see if he can do that.)
These plot twists are great because in each one they force a
particular character to deal with a situation or part of their personality.
They’re effective because they have meaning. So, if you’re writing a plot
twist, don’t just think “What can I do to shake things up?” think “What’s
something my characters need to deal with, that I can use to shake things up?”